On seeing the schedule of new film releases for this week I had a panic attack. "Oh no," I screamed, "some idiot has made a film about that noisy transsexual from Big Brother, the one with the stupendously unreal breasts. But the reality was worse, I had read Nadia for Narnia; someone has made a film about those stupendously boring children's books that a certain type of adult was always very keen to force on us in the 1950s and 60s. The story of The Lion, The Witch and The Wardrobe had great appeal as an indoctrination tool because it was claimed to be an allegory for the Jesus myth (where does the wardrobe come into it? you might well ask. Well Jesus was a carpenter. Oh yes, they were originally a trio before he left to form his own band. Rumour has it he was jealous of Richard's somewhat suspect relationship with Karen.) You see that Christian allegory is all rubbish. LW&W is a nazi allegory. Think about it, were the Pevensie family black? No, they were Middle class English protestants. Why was the messiah character portrayed as a Lion? Well everybody knows Lions are not Jewish. And the plot? After a spot of unrest among the plebs the Lion is killed which throws the Kingdom of Narnia into despair. When the Lion is then resurrected everyone realises it is folly to question authority and they all start toeing the line with unquestioning obedience. C.S. Lewis was a white supremacist from a privileged background. In his version of Christianity, Jesus was an Anglo - Saxon apologist for the ruling classes. Do you want to expose your kids to this stuff?
Fortunately my family were left wing bohemians and kept me well away from such stuff. I was brought up on The Wind In The Willows, in which of course the creatures of the riverbank form a revolutionary militia the resist the oppressive capitalism of the weasels. The old feudal Lord is not stood against a wall and shot, but is allowed to live out his days peacefully so long as he gives up his anti-social activities.
After that I moved on to Animal Farm.
Of course, given the plague of religiosity gripping America any film that can claim a twisted Christian theme will do well. Look how they flocked to see "Passion of The Christ" directed by Mel Gibson (5'3") which was not only historically inaccurate but the dialogue was incomprehensible.
What I want to know is when will Hollywood make a film of The Ragged Trousered philanthropists? When I hear about that I will know we are turning a corner.
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